But, besides Rā, there existed in very early times a god called HORUS, whose symbol was the hawk, which, it seems, was the first living thing worshipped by the Egyptians; Horus was the Sun-god, like Rā, and in later times was confounded with Horus the son of Isis. The chief forms of Horus given in the texts are: (1) HERU-UR (Aroueris), (2) HERU-MERTI, (3) HERU-NUB, (4) HERU-KHENT-KHAT, (5) HERU-KHENT-AN-MAA, (6) HERU-KHUTI, (7) HERU-SAM-TAUI, (8) HERU-HEKENNU, (9) HERU-BEHUTET. Connected with one of the forms of Horus, originally, were the four gods of the cardinal points, or the "four, spirits of Horus," who supported heaven at its four corners; their names were HAPI, TUAMUTEE, AMSET, and QEBHSENNUF, and they represented the north, east, south, and west respectively. The intestines of the dead were embalmed and placed in four jars, each being under the protection, of one of these four gods. Other important gods of the dead are: (1) ANUBIS, the son of Rā or Osiris, who presided over the abode of the dead, and with AP-UAT shared the dominion of the "funeral mountain"; the symbol of each of these gods is a jackal. (2) HU and SA, the children of Temu, or Rā, who appear in the boat of the sun at the creation, and later in the Judgment Scene. (3) The goddess MAĀT, who was associated with Thoth, Ptah, and Khnemu in the work of creation; the name means "straight," hence what is right, true, truth, real, genuine, upright, righteous, just, steadfast, unalterable, and the like. (4) The goddess HET-HERT (Hathor), i.e., the "house of Horus," which was that part of the sky where the sun rose and set. The sycamore tree was sacred to her, and the deceased prays to be fed by her with celestial food from out of it (5) The goddess MEH-URT, who represented that portion of the sky in which the sun takes his daily course; here it was, according to the view held at one period at least, that the judgment of the deceased was supposed to take place. (6) NEITH, the mother of SEBEK, who was also a goddess of the eastern portion of the sky. (7) SEKHET and BAST, who are represented with the heads of a lion and a cat, and who were symbols of the destroying, scorching power of the sun, and of the gentle heat thereof, respectively. (8) SERQ, who was a form of Isis. (9) TA-URT (Thoueris), who was the genetrix of the gods. (10) UATCHET, who was a form of Hather, and who had dominion over the northern sky, just as NEKHEBET was mistress of the southern sky. (11) NEHEB-KA, who was a goddess who possessed magical powers, and in some respects resembled Isis in her attributes. (12) SEBAK, who was a form of the Sun-god, and was in later times confounded with Sebak, or Sebek, the friend of Set. (13) AMSU (or MIN or KUEM), who was the personification of the generative and reproductive powers of nature. (14) BEB or BABA, who was the "firstborn son of Osiris." (15) Hāpi, who was the god of the Nile, and with whom most of the great gods were identified. The names of the beings who at one time or another were called "gods" in Egypt are so numerous that a mere list of them would fill scores of pages, and in a work of this kind would be out of place. The reader is, therefore, referred to Lanzone's Mitologia Egizia, where a considerable number are enumerated and described.

But though we know nothing about the period of the origin in Egypt of the belief in the existence of an almighty God who was One, the inscriptions show us that this Being was called by a name which was something like Neter, [1] the picture sign for which was an axe-head, made probably of stone, let into a long wooden handle. The coloured picture character shews that the axe-head was fastened into the handle by thongs of leather or string, and judging by the general look of the object it must have been a formidable weapon in strong, skilled hands. A theory has recently been put forward to the effect that the picture character represents a stick with a bit of coloured rag tied to the, but it will hardly commend itself to any archaeologist. The lines which cross the side of the axe-head represent string or strips of leather, and indicate that it was made of stone which, being brittle, was liable to crack; the picture characters which delineate the object in the latter dynasties shew that metal took the place of the stone axe-head, and being tough the new substance needed no support. The mightiest man in the prehistoric days was he who had the best weapon, and knew how to wield it with the greatest effect; when the prehistoric hero of many fights and victories passed to his rest, his own or a similar weapon was buried with him to enable him to wage war successfully in the next world. The mightiest man had the largest axe, and the axe thus became the symbol of the mightiest man. As he, by reason of the oft-told narrative of his doughty deeds at the prehistoric camp fire at eventide, in course of time passed from the rank of a hero to that of a god, the axe likewise passed from being the symbol of a hero to that of a god. Far away back in the early dawn of civilization in Egypt, the object which I identify as an axe may have had some other signification, but if it had, it was lost long before the period of the rule of the dynasties in that country.